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Warhol didn't discover the Campbell's Soup Can — he stared at it until it became strange. His 1962 series of 32 canvases, each depicting a different soup variety with deadpan precision, asked one of the most productive questions in art history: what happens when you look at a commercial object with the attention usually reserved for a Rembrandt? This exhibition poster from a major Campbell's retrospective is a piece of that history — Pop Art at its most iconic and most confrontational.
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